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Da Vinci Code’s Rosslyn Chapel continues to grip tourists’ imagination


 Rosslyn Chapel, which is featured in the bestselling book by Dan Brown as being linked to the Holy Grail, welcomed a record number of visitors last year

Rosslyn Chapel, which is featured in the bestselling book by Dan Brown as being linked to the Holy Grail, welcomed a record number of visitors last year STUART WALLACE/THE SUNDAY TIMES
A 15th-century church which was linked to the Holy Grail has attracted the highest number of visitors in its history.

More than 181,700 people bought tickets to Rosslyn Chapel, in the village of Roslin, Midlothian, last year, smashing a 2006 high of 175,074 visitors.

The chapel came to worldwide prominence in 2003 when it featured as the hiding place of the Holy Grail in Dan Brown’s bestselling novel The Da Vinci Code. Its previous visitor record was set in 2006 when the film version of the novel, starring Tom Hanks and Audrey Tautou, was released, catapulting the chapel into the international spotlight. Most of the interior scenes of the chapel were filmed there.




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In the novel, Sir Leigh Teabing explains to Sophie Neveu that the figure at the right hand of Jesus in Leonardo da Vinci's painting of The Last Supper is not the apostle John, but actually Mary Magdalene.

Teabing says the absence of a chalice in Leonardo's painting means Leonardo knew that Mary Magdalene was the actual Holy Grail and the bearer of Jesus' blood. He explains that this idea is supported by the shape of the letter "V" that is formed by the bodily positions of Jesus and Mary, as "V" is the symbol for the sacred feminine.

The absence of the Apostle John in the painting is explained by knowing that John is also referred to as "the Disciple Jesus loved", which would be a code for Mary Magdalene. The book also notes that the color scheme of their garments are inverted: Jesus wears a red tunic with royal blue cloak; Mary Magdalene wears the opposite.

According to the novel, the secrets of the Holy Grail, as kept by the Priory of Sion, are as follows:
  • The Holy Grail is not a physical chalice, but a woman, namely Mary Magdalene, who carried the bloodline of Christ.
  • The Old French expression for the Holy Grail, San gréal, actually is a play on Sang réal, which literally means "royal blood" in Old French.
  • The Grail relics consist of the documents that testify to the bloodline, as well as the actual bones of Mary Magdalene.
  • The Grail relics of Mary Magdalene were hidden by the Priory of Sion in a secret crypt, perhaps beneath Rosslyn Chapel.
  • The Church has suppressed the truth about Mary Magdalene and the Jesus bloodline for 2000 years. This is principally because they fear the power of the sacred feminine in and of itself and because this would challenge the primacy of Saint Peter as an apostle.
  • Mary Magdalene was of royal descent (through the Jewish House of Benjamin) and was the wife of Jesus, of the House of David. That she was a prostitute was slander invented by the Church to obscure their true relationship. At the time of the Crucifixion, she was pregnant. After the Crucifixion, she fled to Gaul, where she was sheltered by the Jews of Marseille. She gave birth to a daughter, named Sarah. The bloodline of Jesus and Mary Magdalene became the Merovingian dynasty of France.
  • The existence of the bloodline was the secret that was contained in the documents discovered by the Crusaders after they conquered Jerusalem in 1099 (see Kingdom of Jerusalem). The Priory of Sion and the Knights Templar were organized to keep the secret.
The secrets of the Grail are connected, according to the novel, to Leonardo da Vinci's work as follows:
  • Leonardo was a member of the Priory of Sion and knew the secret of the Grail. The secret is in fact revealed in The Last Supper, in which no actual chalice is present at the table. The figure seated next to Christ is not a man, but a woman, his wife Mary Magdalene. Most reproductions of the work are from a later alteration that obscured her obvious female characteristics.
  • The androgyny of the Mona Lisa reflects the sacred union of male and female implied in the holy union of Jesus and Mary Magdalene. Such parity between the cosmic forces of masculine and feminine has long been a deep threat to the established power of the Church. The name "Mona Lisa" is actually an anagram for "Amon L'Isa", referring to the father and mother gods of Ancient Egyptian religion (namely Amun and Isis).

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